Alla Bernardo Strozzis Oljemålningar

Bilder

Oljemålningar Från A till Z

Information

43095

A Personification of Fame

mk170 1635-1636 Oil on canvas 106.7x151.7cm

29070

Allegory of the Arts

mk65 ca.1640 Oil on canvas 60x55"

3730

An Allegory of Fame

National Gallery, London

32532

Bernardo Strozzi, Joueuse de viole de gamb

mk79 1635

91968

Concert

c. 1630/31 Medium oil on canvas Dimensions 118.7 X 170.4 cm (46.7 X 67.1 in) cjr

29124

Detail of The Healing of Tobit

mk65 Detail

68770

Die eitle Alte

Medium Oil on canvas Dimensions 135 X 109 cm

72086

Die eitle Alte

c. 1625 Oil on canvas 135 X 109 cm (53.15 X 42.91 in)

73616

Die eitle Alte

Date c. 1625 Medium Oil on canvas Dimensions 135 X 109 cm (53.15 X 42.91 in) cyf

51310

Gamba Player

c. 1635 Oil on canvas, 126 x 99 cm

86382

Holy Family with St. John the Baptist

1600(1600) Medium Oil on canvas Dimensions 112 x 87 cm (44.1 x 34.3 in) cyf

96919

John the Baptist

circa 1600(1600) Medium oil on canvas Dimensions 112 X 87 cm cyf

87846

Leinwand

Oil on canvas Dimensions Deutsch: 125 x 99 cm cyf

3729

Lute Player

1635 Art History Museum, Vienna

70760

lutspelare

cirka 1635 pa duk 76x92cm se

95758

Madonna and Child with the Young St John

circa 1620(1620) Medium oil on canvas cyf

95759

Portrait of a Knight

circa 1640(1640) Medium oil on canvas cyf

81882

Portrait of a Maltese Knight

first half of 17th century Medium Oil on canvas cyf

95760

Portrait of Cardinal Federico Cornaro

circa 1640(1640) Medium oil on canvas cyf

93219

Portrait of Claudio Monteverdi in Venice

1640(1640) Medium oil on canvas cjr

51309

Prophet Elijah and the Widow of Sarepta

1630s Oil on canvas, 106 x 138 cm

96877

Saint Antony of Padua holding Baby Jesus

circa 1625(1625) Medium oil on canvas cyf

81920

Saint Cecilia

Date between 1623(1623) and 1625(1625) Medium Oil on canvas Dimensions Height: 150 cm (59.1 in). Width: 100 cm (39.4 in). cjr

92650

Schlafendes Kind

Date Deutsch: nach 1607 Medium oil on canvas Dimensions 35 X 47 cm (13.8 X 18.5 in) TTD

95761

St John the Baptist

between 1615(1615) and 1620(1620) Medium oil on canvas cyf

51312

St Maurice and the Angel

c. 1635 Oil on canvas, 82 x 101 cm

95762

St Roch

circa 1640(1640) Medium oil on canvas cyf

96134

The Adoration of the Shepherds

between 1616(1616) and 1618(1618) Medium oil on canvas cyf

40417

The Cook

mk156 c.1620 Oil on canvas 177x241cm

95763

The Cook

circa 1625(1625) Medium oil on canvas cyf

29123

The Healing of Tobit

mk65 ca.1635 Oil on canvas

70642

The Healing of Tobit

Medium Oil on canvas Dimensions Expression error: Missing operand for *158 ?? 224 cm

20492

The Holy Family with John the Baptist (mk05)

Canvas,32 1/4 x 41''(82 x 104 cm)Allocated to the Louvre in 1950

96036

The Madonna of Justice

between 1620(1620) and 1625(1625) Medium oil on canvas cyf

29975

The Portrait of the Wedding Guest

mk67 Oil on canvas 50x74 11/16in Uffizi

95944

The Release of St Peter

1635 Medium oil on canvas cyf

69904

The Release of St. Peter

oil on canvas painting by Bernardo Strozzi, , Art Gallery of New South Wales

83795

The Viola da Gamba Player

c. 1630-1640 Oil on canvas 125 x 99 cm cjr

33580

Vanitas Allegory

mk86 c.1635 Oil on canvas 132x108cm

21528

Vanitas Allegory (mk08)

c.1635 Oil on canvas 132x108cm Bologna,Private collection

32566

Woman at the mirror

mk79 About 1635-1640

Bernardo Strozzi

1581-1644 Italian Bernardo Strozzi Galleries Strozzi was born in Genoa. He was probably not related to the other Strozzi family. In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest). Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30). After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.

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